During that trip, I filmed a documentary. The ensuing work was presented during the 2015 edition of the PinchukArtCentre Prize. The video installation consisted of the aforementioned documentary, two new songs by Roki Vulovic and Sateliti, both acts’ archive of music videos, and copies of amateur graffiti that I gathered while in Bosnia & Herzegovina. These graffitis, which were tagged on now abandoned buildings, were made by representatives from opposing sides of the sociopolitical/ethnic conflict which brought the country to its knees at the end of the 20th century—traces which refused to fade, hatred which never healed.