The first part of this work I did in Odessa, it was called Rave Stades. Then, from the balcony of the Odessa Museum of Contemporary Art, I read out the evidence I collected about rave attacks, combining this with the history of the emergence and development of techno music.

For the Brave Factory festival I continued to develop the ideas of this work. On the floor of one of the dance floors, chalked were the texts of reports of attacks and attacks on the roars of the past few years. Outline and Rabitsa festival in Moscow, attacks on the Closer club in Kiev, attacks on Basiani in Georgia. At the moment when visitors began to enter the dance floor and the music began to sound, the audience erased these inscriptions in dance.

Photo by Masi Naem
attack on Closer Club,
Kyiv, Ukraine